Friday, December 14, 2012

HOW TO APPROACH A NEW SONG

HOW to approach a new song is always an issue. Do I stay as close as possible to the original singer? Do I change it a little, a lot, or in between? There are many things to consider, including the audience. I'm not talking about "selling out" or "doing karaoke". Remember the thing called musical maturity? You don't scat sing to a country song, you don't sing classical like it is country, and you also do not sing 50 riffs in every line of a song to show off your prowess in velocity, accuracy, and "creativity". I once saw a performance by two of the most famous female singers ever and it was more like a fight than a duet. It was a battle of riffs and lost musicality, emotion, and I was embarrassed for them. They seemed like enemies instead of friends. The most stupid thing is that there is no real competition among people who are great. There is plenty of room for them all. The point is, know how to use the spices, when you cook, and don't overwhelm the dish. You also have to find the balance between emotion and musicianship. There can be manic emotion, over the top and to the moon to the point that pitch goes off, the voice cracks, tears flow, blood spurts out of the eyes, veins pop...you get the idea. Too much feeling can interfere with control to the point that a song can look like a psychotic break to the audience. Volume can be used, meaning dynamic contrast, but are you singing or in a hog calling contest in West Virginia (where I grew up)? If your audience is conservative and expecting "pop music" and you give them anything else, do not expect much from them. If they are into R&B and you sing country, the may walk out. I played a gig once with my wife on a cruise and there were two audiences, depending on the song we were doing. The dance floor would literally empty and refill if we did popular on one song and R&B on the next. It was almost funny. You cannot please everyone. So what does that leave you? Regardless of everything else, you must have artistic integrity. You do your absolute best no matter what. In other words, you always do your absolute best no matter what. You have to have this standard because everything else will make you less of an artist. You will not love yourself if you: do less than your best, hold back, be too overly "careful", do not connect to the song or the audience. It is your job to connect to the song. What does the message say? Who could benefit from the message? Are you trying to make people feel better or feel worse? If it is worse, get out of the business. There is this thing which most songs have in some form or fashion-the concept of something having to do with love. Even the angry ones are expressing that love did not work. Everyone in their right mind wants it to "work". Artist integrity is about a quality and a responsibility. That is how to prepare a song. Dig down deep as you can into yourself and bring out true feelings and be honest with your audience. They know when you are lying to them. If you are paid for your performance, you would be lying and stealing from them at the same time. If this sounds intense, it is. Who wants to hear a wimpy singer? Show intense skill and emotion and have the sense to do it in a way which reaches and audience and will have the impact that greatness always has.