Saturday, January 23, 2016

The Secrets of Singing Better

What are the secrets of singing better?

Why would there be secrets? Seriously.  There are no secrets but there are things which are worse.  There are myths about singing.  They have been around for over a century, some of them.  The bad thing about myths is that they are either worthless or possibly very harmful.  The other thing about myths is that they are assumed to be true but have never been examined by those who use them to mislead singers (usually unknowingly).

There was a time in medical history that doctors believed that "bleeding" or "bloodletting" a person would help the person to get well or to get better.  The practice could have caused infections or worse.  This went on for two thousand years, so it is not unreasonable to assume that myths have a long survival rate.

Science will usually reveal myths--eventually

The first secret to better singing is to see if you are holding on to any myths regarding singing.  The most common, if not the most ubiquitous is that a singer should "sing from the diaphragm".   This implies that your diaphragm is actively doing something as you sing.  This is where we first step out of the looking glass of wonderland.  Check the sources of authority and licensed practice, specifically a physician, rather than most singing or music teachers who never had to study basic anatomy.  Since the 1700s, doctors have known some specific facts about the diaphragm:

1) It contracts downward, causing the lungs to draw in air.
2) It cannot be felt because it has no proprioceptive nerves in it.  Your hand has proprioceptive nerves, meaning you can feel what position it is in and directly can control it.
3) The diaphragm is in a state of relaxation when you are singing a tone. 
4) If you push out the air, you are using muscles of the abdomen and the chest.

Remember that doctors have known this since the 1700s.  Somehow they do not laugh at people for spewing useless misinformation.  Most singing teachers who tell you to sing from the diaphragm do not know where it is, how it is shaped, or its actual function.  If you wish, ask the teacher to draw the diaphragm and to describe its function.

What other common myths are there?  That you can place your tone somewhere: your sinuses, your eyes, on the floor, in your face, your forehead, etc.  This is a myth.  You cannot make the sound go in a special place in your head.  There are no secret valves in your head to direct the air and you cannot will it to go somewhere anymore than you can teleport an object across a room by simply thinking it into action.

Myths do not solve anything or help you to sing better.

Some people say, "Do not sing from your throat." or "You are singing from your throat."  This is usually followed by their patting their stomachs and saying, "sing from here!"  WHAT?!  Let's get real.  Where are the vocal folds (used to be called vocal cords)?  They are in your throat.  We could say that the teacher doesn't literally mean to not sing from the throat.  If that is true, then why not say what you do mean?  What is the singing teacher looking for?  A freer tone?  A bigger sound?  Instructing to not sing from the throat yields no change, no results.  There are ways to get a bigger sound and a freer tone.

Some teachers pat the stomach and say," Fill up down here."  Once again this is a blatant revelation of ignorance of the human anatomy.  If a teacher truly cared about the students, wouldn't it make sense to crack open an anatomy  book, such as the old reliable, Gray's Anatomy?  It has some excellent drawings and clearly worded information about the lungs and about breathing, including the function of the diaphragm.  Your lungs do not extend into your abdomen.  They end around the bottom of your ribcage.  The only way to fill up the abdomen is to eat something and it won't be mostly air that you eat.

Muscles work the "voice" mechanism and they are controlled by your mind.

Does that seem true?  That is something which can be verified by any good ENT (ear, nose, and throat doctor).  The great news is that there are some singing teachers and vocal coaches who do know and understand the function of the singing voice and can give a singer exercises which work specific muscles for strength, control, and coordination.  The physical technique of singing is not the complete solution to being a great singer, though.  There is more.  You can read about it here.

Want a free voice lesson?  All you have to do is to ask for it.  Free voice lesson

Thursday, January 21, 2016


Are there any free voice lessons?

For about 10 days (ending January 31, 2016) it is possible to get a free voice lesson.  It doesn't matter if you are a beginner, an intermediate singer, or even a professional singer.  If you want a good solid foundation or even an evaluation, you can get it.  For FREE.  What's the catch?  It is one singing lesson for free but only one for free.  The offer is only for 10 days, including today.  It is available on Skype or on FaceTime.  I may never do this again for free. 

To set up a free singing lesson, you do need to be 18 years old or get your parents' consent, if you're not 18.

You can email me at

I'll send you my contact information for Skype or for FaceTime.  If you've been struggling with your singing of if you just want to learn some great technique, now is your chance to make it fun.

It's first come, first served.  I only have 12 slots left. 

Friday, January 08, 2016

Opening Night In Las Vegas

Before going into the show, I had practiced for a solid year, a minimum of 3 hours a day.  I also recorded myself a huge amount in those sessions.  I eventually had a tape that didn't make me throw up when I heard myself, went to the producer/choreographer of a show my wife, Sheree, was in, and she hired me on the spot when she heard the tape. 

She did make me audition in front of the cast and crew.  I sang "Night And Day" by Cole Porter and they went totally wild.  They said I was better than the Sinatra impersonator who was in the early show (there were three shows running there's now called the Stratosphere Hotel and Casino).  Much of the cast were dancers.  If you haven't been in a show, the dancers think that they are the show and everyone else is not.  That made the compliments and applause mean even more.

The owner at the time, Bob Stupak, was a sort of tough guy, who hated entertainers, I was told.  The first night of the show, the stage manager came backstage to where I was.  I did the announcing and also assisted with other acts, paging the curtain for them.  So, the stage manager said, "Do you see that booth in front at center stage?" I looked through the curtain and said, "Yes."  She said, "That is Mr. Stupak's booth.  No one else sits there.  He's going to be there tonight and if he doesn't like you, it will be your last night."  I thanked her for the heads up. 

I thought to myself that if he didn't like me then he's stupid.  I knew I was ready.  Still you don't want to hear that before opening night.  People don't say good luck or even break a leg anymore.   They say "Merde!" which is French for shit.  So, I got more than a fair share of merde before walking onto that huge stage the first night.  Oh yes.  He did like me and every time after that I saw him in his casino he spoke to me or waved if we were far apart.